蒙特祖马二世（Montesuma II或Moctezuma，中文译名或作“蒙特苏马”，约生于1475年，卒于1520年），古代墨西哥阿兹特克的特诺奇提特兰君主。他曾一度称霸中美洲，最后郤被西班牙征服者荷南·科尔蒂斯所收服，导致阿兹特克文明灭亡。(暮云春树) 　　Montezuma 　　Dan Snow journeys to the ancient heart of Mexico in search of the lost civilisation of the Aztecs and their last and greatest ruler, Montezuma II (1502-1520). Montezuma inherited an empire of five million people, stretching from present-day Mexico to Nicaragua, from his uncle. His rule was marked by incessant warfare. 　　Enemy states were growing more powerful and conquered tribes were becoming more rebellious. Within months of taking the throne in 1502, he went changed a man of good reason into a pitiless autocrat who declared himself a god, believing that fear and ruthlessness were the only ways to stop the empire falling apart. 　　Yet it was at the hands of Cortes and the Spanish conquistadors that Montezuma met his downfall. But what was his relationship with Cortes, and why did such a ruthless leader submit to his captors with such relative ease? As Dan Snow visits the ruins and picks through current excavations, he pieces together the evidence of a gripping story: a divine tragedy of errors, the clash of civilisations, the end of a world - and a very human God.

蒙特祖马二世（Montesuma II或Moctezuma，中文译名或作“蒙特苏马”，约生于1475年，卒于1520年），古代墨西哥阿兹特克的特诺奇提特兰君主。他曾一度称霸中美洲，最后郤被西班牙征服者荷南·科尔蒂斯所收服，导致阿兹特克文明灭亡。(暮云春树) 　　Montezuma 　　Dan Snow journeys to the ancient heart of Mexico in search of the lost civilisation of the Aztecs and their last and greatest ruler, Montezuma II (1502-1520). Montezuma inherited an empire of five million people, stretching from present-day Mexico to Nicaragua, from his uncle. His rule was marked by incessant warfare. 　　Enemy states were growing more powerful and conquered tribes were becoming more rebellious. Within months of taking the throne in 1502, he went changed a man of good reason into a pitiless autocrat who declared himself a god, believing that fear and ruthlessness were the only ways to stop the empire falling apart. 　　Yet it was at the hands of Cortes and the Spanish conquistadors that Montezuma met his downfall. But what was his relationship with Cortes, and why did such a ruthless leader submit to his captors with such relative ease? As Dan Snow visits the ruins and picks through current excavations, he pieces together the evidence of a gripping story: a divine tragedy of errors, the clash of civilisations, the end of a world - and a very human God.

《悲剧的宣告》将动画制作视为记忆巩固的过程。这部作品可以看作是导演个人记忆的延伸，保留了导演对他成长之家的非理性而不完整的记忆。作品重新唤起这些记忆的空间和时间，最终以动画的形式将其重写、重新剪辑和重新物质化。作品由4个章节组成，每个章节都讲述了导演小时候在家的一段特定记忆。

《悲剧的宣告》将动画制作视为记忆巩固的过程。这部作品可以看作是导演个人记忆的延伸，保留了导演对他成长之家的非理性而不完整的记忆。作品重新唤起这些记忆的空间和时间，最终以动画的形式将其重写、重新剪辑和重新物质化。作品由4个章节组成，每个章节都讲述了导演小时候在家的一段特定记忆。

下暴雨的夜里发生了一场悲剧事件，沉默与回避造成了另一个悲剧。该剧讲述了在路上迷失的人、站在路的尽头的人以及脱离了路的人面对罪恶感以及等待救援的…

人都想变美，用种种手段柔和脸庞的弧线，增添脸部的光泽。想马上实现愿望么？要学会运用工具，最重要的是学会“undo”。 　　毕加索的名画《Weeping Woman》，让画中的主角告诉你她“变美”的故事。 　　本片荣获了2005 台北金马国际数位竞赛最佳台湾影片，2005 美国年度电脑动画大展电子剧院观众票选最佳影片奖。

人都想变美，用种种手段柔和脸庞的弧线，增添脸部的光泽。想马上实现愿望么？要学会运用工具，最重要的是学会“undo”。 　　毕加索的名画《Weeping Woman》，让画中的主角告诉你她“变美”的故事。 　　本片荣获了2005 台北金马国际数位竞赛最佳台湾影片，2005 美国年度电脑动画大展电子剧院观众票选最佳影片奖。

赛迪（布里安娜·希尔德布兰 Brianna Hildebrand 饰）和麦凯拉（亚历山德拉·西普 Alexandra Shipp 饰）是青梅竹马的好友，两人共同创办了名为“悲剧女孩”的推特公众号，报道当地发生的大大小小的杀人案件，并且试图追踪案件背后的真相。 　　两个姑娘最大的愿望就是希望她们的公众号能够一炮而红，甚至为了有能够报道的新闻而不惜成为凶杀案的制造者。可是，很快她们便发现，对于这些她们亲手犯下的罪案，当地警方总是以“意外”为幌子试图隐瞒案件。乔丹（杰克·奎德 Jack Quaid 饰）是赛迪和麦凯拉的“助手”，帮助她们剪辑和发布视频，与此同时，乔丹也是警长布兰恩（蒂莫西·墨菲 Timothy V. Murphy 饰）的儿子。终于，“悲剧女孩”走红了，但同样飘红的，还有两个女孩之间的友情。

影片通过引人入胜的“唯美”画面，电影探究了爱，色情，性别，暴力以及死亡间某种的不确定的共谋关系，表现了当代美学无解状态的混乱，极具诱惑力和欺骗力。电影中造型婉约的男性演员，模糊了性别差异，把主题推向另一个极端点，是对权力，秩序，系统以及价值的恶意解构。电影的复杂性搅拌在美丽的感官娱乐画面的肤浅性当中；电影的模糊性让观众在质问图象内容所引发的畸形感受的同时，也在怀疑图象在美学“质量”上的完美所带来的愉悦反应，某种程度上，观众需要自行编撰故事，引出自己的欲望。黄然在这里制造了一个沉醉状态——对合法化的当代美学不合理性的渴望。

四个年轻人在阳光下乘坐游艇，享受着轻松的生活。回到陆地时，他们的车没油了，他们发现自己在亚历山大勋爵和夫人的一座大庄园外。希望找到燃料，他们被邀请在这里过夜，躲避暴风雨。这三个人被安置在仆人的住处，而简在家里得到了一个房间。听到奇怪的声音，她走下楼梯，发现亚历山大一家正在做黑色弥撒，她被放在祭坛上做祭品